Only looking up when my head’s down

We've been on the struggle bus since coming back from the show.

My horse trailer looks like it's had a bomb set off in it. I have laundry up to my eyeballs, my tack wasn't cleaned until Monday, I still have hay in the back of my truck, and a stack of emails and paperwork I've been ignoring (sorry) since last week. I was also not the smartest scheduler- I did 8am lessons the day after, and then had an 8am farrier appointment the day after that. Tuesday was the first day I "slept in" until 7am and then promptly went to yoga.

I also found out that my supplies from the trailer need to be replenished. I normally carry two of everything around in that trailer simply because I don't like packing and repacking. Over the year I used up things or repacked them elsewhere. The inconvenience of trying to find extra treats, the spool of wax thread or my cleaning supplies during a show just kind of added into the small chaos.

I also will happily pay that price again if it means I could have every weekend as well-done as that one.

The quality of the show was really high, with several people trucking above five hours in, and the horses reflected the investment of the time spent putting them on a truck and bringing them down.  

Haiku pulled out an early monster score of 8.64 for her first show for the three year old materiale with the highlight being 8.5 for rideability. Her in hand class was also highly competitive, and was overall second, despite being flat from working earlier in the day, she came away with an 8.7, second out of 15 horses and a fanbase.

Flair followed suit, pulling a 7.6 - a huge positive considering the show was her 15th ride under saddle, and was behind the winner of the class by two points. Her canter work was the high point- 8.5.

The judge was kind enough to take me aside and not only give the mares huge complements on their breeding, training and manners but also give some ideas towards development. This was a lot of personal validation of what I've been doing over the last months from a very respected source. 

What's even more impressive is that both mares were exceptionally professional about the job. Yes, they had green moments, but went in with no lunging, or calming supplements in their systems. They went in and knew what they were supposed to do. The cherry is that they are both qualified for the finals in November at Tryon and depending on how that weekend will run, we might just attend. 

Which leads me to the next show schedule. It's very tempting to throw them in again and just keep pushing for year end awards.

My focus on Haiku is more or less just one more show, at training level, before going to IBOP and quitting for the year. To me the three year old year is a learning curve. Yes, they need a record. Yes, they need to do stuff, but they don't need to be trucked from here and beyond to show extensively and potentially develop a bad reputation. Haiku has already answered a lot of questions for us, and continues to mature beautifully. 

With Flair it's get her into the regular tests as quick as possible. She can do training level tomorrow if we asked but I would like to see more condition from her at first. I also don't necessarily want to put the investment toward the lower levels, a mistake I made with Sinari. My focus for her is in honesty, next year for the six year olds. So we're focusing on Virginia to get some miles under her belt with me in the irons. Dressage at Lexington is on her radar because of the nature of the show and my clients who go.

So the focus is really on the fall and winter seasons, with the eye towards Dressage at Devon, IBOP and other fun items. But for now I think we have all the right pieces in the right ways. 

Geronimo

Getting back to the grind has been going well, minus one or two weeks where life was interrupted by Rolex and Kentucky Derby, everyone has been getting back into a more committed schedule.


It's finally nice to have everyone in a singular place again. Steeple Pointe Stables did a great job keeping everyone in order, and my student did a nice job hacking and keeping some order in the face of horrid weather and random schedules; but in all honesty there's no place like home.

Having everyone home also means being able to focus on the immediate of re-establishing a full six day week, and attending to the details. Needless to say my trailer got ripped through and the unpacking, rearranging and organizing is still continuing. My truck looks like it exploded with blankets, wraps and stuff everywhere. I spent the majority of Thursday just cleaning both of them out and giving the truck and trailer a solid wash.

Adding to the stress was someone stole my purse, the entire thing, out of my truck last Saturday. The purse I don't mind so much- it was just a canvas one. But the contents were a tad bit more important. All my ID's, major cards, license, passport, and alot of memories are now just gone. The week prior my accounts were flagged for fraud, so if there's any silver lining to any of this its that I at least have one debit card that escaped, and I don't have to wait around another five days. Compounding the issue is my only final form of ID was in NJ. It's disappointing and ultra frustrating that I now have to deal with four notoriously slow government agencies (DMV, Passport Control, and Social Security office) and their paperwork.

If there's anything to look forward to this upcoming weekend, it's showing. I've been wanting to show Spy Coast now for years. It's a fabulous show with excellent footing and drop dead gorgeous facilities. However bad timing on my end or having a horse that's not in the right age group or going through a weird growth spurt really stifled those chances.

The girls look the part, the weekend is free and so I dropped the entry in.

Haiku is especially ready to do something. A full hand bigger and mentally ready enough to step out, she needs to stretch out and get some miles without getting permanent ink on her records. She's stellar, and very fit for the age group but still hasn't filled out width-wise quite yet. She's business like about her work, she's handled change very well. The goals are pretty much to just have a solid first show, and to hit in the 7's-8's consistently. 

Flair looks equally as good. She's not as fit, as she's started three months after Haiku, but needs to just go out and start thinking about larger concepts. I really don't care about scores, I just want her to go out and have a positive experience.

It's easy to look at Flair and go she's ready to do something more. She can easily go zero to FEI in her balance points, she's easy on the eyes, offers things up and is exceptionally trainable. She's very mature in her looks. But as fast as she's developing and giving, you can't put topline on overnight.

But Flair has been getting the baptism by fire the last three months.

Her entire world has been flipped, reversed and changed. She's in a program, she's worked, she's getting fitter, she's handled every day, twice a day. Every day she looks better because it is an aggressive, everything including the kitchen sink program, that addresses a lot of different things. I think some part of her goes, I'd rather be barefoot and pregnant, and the other goes this is rather neat. She's got the best temperament, goes out and tries, doesn't make the same mistake twice. She's straightforward, but green, but lacks the carrying power to sit under saddle correctly to do anything beyond what a three or four year old is required to do. She's not ready for a test, she's not ready for anything but straight materiale, but needs to go out and learn what being a show horse is without the world judging her. 

So, Spy Coast is really an ideal place for both of them. They've done an excellent job developing something for all young horses in a quality environment. The series has a number of things going for it- like prize money, inclusive handler fees, great judges and year end series championships. They understand babies are going to be babies, and allow them to act that way accordingly. There will be plenty of other opportunities to get them to the larger rated shows, but for now, they need to stay in the kiddie pool.

My type

I was raised with the idea and notion that European horses were superior sport horses, and that the baseline quality was, and still is to some extent, much higher than that in the US.

How could I not? I was raised with the ISF adverts and being around people who purposely bred with those lines, and constantly imported ones who were added into the genetic and talent pools.

While I will dispute some of that notion (there are a number of North American breeders who in my opinion are out producing Europe- including the one I work for [see SunShine Meadows]), after visiting Holland and starting to develop in Germany, I think for the most part it's accurate.

There's no question that the US has a lot of the same lines within its borders as breeding technology advanced (frozen semen, embryo transfers) and we've come a long way since a lot of the first horses were inspected and approved within our boarders. But still there is a decisive lack of knowledge among riders about pedigree and we may have the sire lines, in general we lack quality broodmares to support those sires.

Compounding things is the idea of breeding itself. It's the idea of breeding is generational versus immediate results. The former instead of the latter is the core philosophy with the people who I was around. They aim for sensational, but at the same time, they have to put the sensational back into the breeding pool to reproduce itself for future generations.

There's also very little sentiment in breeding in Europe, yes, they do have favorite mares and stallions, but it's a practical application on limited resources. You will not find many, if any, Cinderella crosses competing successfully.

In short, pedigree matters, and in Europe it's a very large part of the sport.

To the riders, it's more than a pink piece of paper, its the basic roadmap where quality develops and gives a timeline of how horses develop, it helps price horses accordingly at their raw state, make black and white decisions, and decisions on who gets to reproduce or go to approvals.

There are nicks, lines that cross consistently well, to produce above average and there's a wild amount of access and support to develop horses from in utero to under saddle. It's also hugely political in many ways with the influence of the foal market and who is stamped as a breeder on the papers.

Europe is special in a few ways as well. There's the population, where you can see 50-75 of a stallion's offspring within a few hours' drive, in many stages of development (everything from just born to some cases international horses), there's government sponsored breeding stations (Celle),  there's shows, exhibitions and things to do with your young horse, in addition to coming to know stallions that aren't popular or even represented within the American market (Don Index, Detroit, Destano, Saleri, Sarkozy, United, etc) and how they, and they're offspring have developed.

You don't have a huge frozen market (it's expensive to develop the facilities to freeze), instead there's a lot of fresh-chilled which can be more consistent than frozen and more widely on-demand.

But for the most part, there are a few principle dressage lines within both the Dutch and German books, with repetitive nicks that have produced very consistently over the generations.

While the two countries have developed differently the end goal is always the same, produce good horses for top sport. The irony of it is while they are both very competitive with each other, because of how each of the books have developed, they need each other for outcrossing purposes, which is seeing another generation of sport horses that are realizing the best of everything.

Until recently, my barn has mostly been KWPN. Partially because I work for a breeder, but the other part is I love dutch horses. To me they're very consistent and taking the sport to a different level. The book is very forward thinking, which is sometimes good and bad.

My background with German horses has been the American representation, which I haven't found too appealing for the end goals I want. Are they pretty?, Yes. Are they nice to be around? Sure. They're great horses in their own right. It wasn't until I went to Germany and was in a barn and with a breeder who has that same ideas, did I end up finding the horses I want, and even then, the barn was the exception rather than the rule.

In the Dutch books, the focus has always been on progressive gaits, and more recently adding good rideability. The four stand outs are Jazz, Flemmigh, Oscar, and more recently Ferro. Ferro and Oscar (who bred Uphill) are known for hind ends, producing piaffe/passage/pirouettes, and Jazz, and the Flemmigh offspring are known for front ends. Flemmigh is especially known for temperament.  You see them all crossed very consistently for the upper levels. They're not necessarily horses for the young horse classes or amateurs, but they do have good batting averages for the Grand Prix.

In the German books (Hanoverian, Oldenburg, Westphalian, Holstein, Rhineland), its more about tradition and regionalism. Each book has their own aims and goals, but the overall effect is producing horses for the top level that pretty much anyone can be around. The idea of German breeding is traditionally towards German farmers, versus the Dutch book where it was really the first book to focus in on the FEI sports.

German horses, in general, were bred for every person. A horse in Germany has to be sound, rideable or workable by your average rider, but still have the ability to do the sport at a very competitive level. It really wasn't until nearly two decades ago, did the focus change from producing for everyone to producing specifically for sport. The idea of sticking to tradition, has caused some degradation in the books for dressage, but for jumping, the Holstieners and Hanoverian are still exceptional.

In the Hanoverian and Oldenburg books (what I'm based out of) there's the A (E), F, D, G, R, S and W, lines. You see Donnerhall, Sandro Hit, Rubinstein, and Fidertanz, Weltmeyer, Laurie's Crusador (thoroughbred) very frequently crossed for the sport. Of the lines represented today, the modern D, F, R, S with a background of A (E) is most prevalent with hints of W hanging back.

Donnerhall, and secondly Fidertanz and Rubinstein, is especially represented in a lot of modern pedigrees, with the majority of German horses carrying him at least once or twice within their papers and crossed on everything. Donnerhall, like Ferro, produces hind ends, but he also produces really wonderful temperaments, walks and canters.The F and the R lines lighten them up without loosing the temperament behind the horse.

The last ten or so years both Holland and Germany have been outcrossing more to introduce more blood and variety into the pedigrees. This has been done with varying amounts of success, and it's a trend that I think that will continue on, especially for stallions and mares who don't meet criteria in one book and can in another.  

In the end, the lines and the use of the lines are personal as well as performance based, there's history, and effort to get the horse that you sit on to you. 

Feels like home again

I made it home Monday after three flights. The highlight of it was being stuck in Atlanta for a few extra hours and getting to roam around trying to find a good milkshake (no dice) and my new Timbuk2 bag's wheels getting knocked off by Delta (jerks).

I was technically scheduled for more travel this week to Vegas World Cup.  I've had numerous people ask me to go, and while I initially committed to going for another business, I'm happy the obligation was canceled. There's so much that needs to be done, and things that I've been ignoring- such as the clinics, need to be dealt with. So I'm home for at least a month before I adventure out again.

Being home is strange after being away for so long. In one way the familiar comfort of my house and everyone with it is lovely, on the other hand, the mentality I got into while in Europe is something that I don't want to give up, it just simply doesn't exist prevalently in the States on a consistent level.

So, my heart is now on two continents. I find myself in the old routine from Germany, and for the moment, less population.

The competition season is just starting here, and I'm eager to really to start it. I have my first entries printed off and ready to go out this weekend, hopefully the US postal system won't repeat their mistakes last year.

Despite my absence from the show arena several of my sales graduates have already started competing. Reba's Song MF (Rotspon) is back in action after an extended period off due to rider injury, she was out competing at Novice and was once again in the sub-30's for dressage, Sincere G (Savant) has been out on the jumpers with Emily Williams in Ohio as well, producing solid rounds with minimal mistakes and Danzador MSM (Apollo III) is out at the Region 2 schooling shows pushing mid-60's to 70's at Training level.

I'm also reminded I need to do a lot of other things associated with the business (taxes, answering the mail, updating the website, making sure the truck still runs...) and playing catch-up. This first week back feels more like I'm attached to my cell phone more than anything else.

Flying in to Lexington was also a little surreal after leaving at the start of a horrid Winter. I was somewhat expecting to see a more decimated town from UK's Men's Basketball team's loss in the Final Four, and also from what looks like the flood-like rain the region has experienced. While there weren't any fires lighting the runway, we definitely have new lakes. It's also delightfully warm.

My first stop before I even went home was to look in on the pony.

To no surprise, she's fat, happy, shaggy and hard to catch. My first order was to make her look less of a wild pony and more civilized. Slowly and begrudgingly she's reemerging from the winter woolies and embedded dirt. She was ridden, washed and will probably do a lot of that until her new lessor takes over the reins.

I went up to see Flair and Haiku on Wednesday.

Haiku grew another hand and a half, and sports a strong topline and is swimming right along in her progress. Despite looking good, she needs some more calories due to the amount of growth she's experiencing. She's not thin, but honestly she just needs that much support. The Pennfields line has been helping her out tremendously in developing her growth while not creating a hot horse. The spring grass should also help her out. Her attitude is still the same, willing, straightforward, workmanlike. She's not even three, and she's just ahead in so many ways.

Flair arrived back in January after I left. Like many things with her and I we just keep missing each other. She arrived about 200lbs heavy from post-baby and in no shape whatsoever to do much of anything. So seeing her 200lbs lighter, under saddle, and developing with about 40 days under tack is really neat. It's a shame that February in Kentucky was a total loss and parts of March were even worse. Essentially, she is where Haiku was when she started. Give it three months of good work, and things will be fine. But still, there's a long way to go from nothing to our tentative goal of Devon's Five Year Old division is a big leap, but one that I'm really sure that she'll do well to progress towards.

On top of keeping up all the horses there's also catching up with the calendars. My business has started to expand to include teaching clinics around the US. I like to teach, and this allows me to keep up on the daily training of my horses and keeping a serious base of home clients. I will be out in VA in June and August. Plus a few other places as I start setting the calendar for the year.

Also per reader suggestion, I will talk more in depth about all the German breeding, riding, training and all the other things over the next few posts. I just couldn't type out as much on an iPad as I would like. But for now, I'm home.

Make it back home by Monday

My time in Germany is coming to a close, next Sunday I pack my bags and I catch a flight early Monday morning back to the states to begin my season there with my girls. It's crazy to think my first show is May, and my season's calendar is looking booked with shows and clinics. 

It's strange to imagine that the time has passed that quickly but in the end, it was very useful. I have few regrets here, I know I'll return next fall/winter before migrating to Florida. 

I'm sad but excited to go, the place has given me more perspective and tools about riding, teaching, selling and the business that I can't wait to incorporate into my own herd when I get home. But at the same time, I don't want to leave. The place is a second home. So, in a way, I, like everyone else who does this has a heart on each continent. 

It's also been busy here, the last two or three weeks have been nothing but sales calls. We sold five horses in two weeks, internationally, and with a few more pending as this week opened up with queries on two of the top young horses in the barn. I'm also excited to announce my partnership with my German breeders who starting in Fall 2015 will begin pushing horses to the states for me to sell into the American market. The first one being the full brother to one of my favorites, Fairyland, who's lovely personality and raw gaits look like a good match for America. 

The funny thing is I'm typically not a German horse fan. My exposure has been to mostly the U.S. with the Hanovarian and Oldenburg books, and my herd is primarily KWPN but there's good blood, a good program, and stellar movement here, so, quality is quality no matter how you register it. 

All alone she moves

One of the toughest things about what I do is being 4,000 miles away and ahead five hours.

By the time I'm going to bed, I'm getting updates from the U.S. and the rest of the world. Majority of the time it's great, it's students who are checking in or my barns giving me updates or my other calling me and asking me how my day went.

It's a voyeur lifestyle being able to look, but not actively participate in something very far away. My news is sometimes second hand. It also screws with you just a little bit.

Homesickness is a bi-product of the job. It's what everyone, regardless of industry, faces at some level when their ambition takes them beyond the familiar recesses of their current life to achieve something. 

I love traveling, and I've done it actively since I was 14. I'm used to going away for extended periods and miles. I'm used to long horse show weekends and training trips. I've learned to be lonely but at the same time, I'm lucky that 21st century technology and social media has allowed me to keep abreast without committing to hours on the phone. Plus being busy all day, everyday, leaves little room to think much about anything else but what's in front of me. 

So, by the end of the day, only three primary emotions really exist with me: exhaustion, hunger and because I'm honest, a twinge of jealousy. 

I'm not really a jealous person. But like what most people experience as they go through expansion, you go on it alone and you question everything. Everything from: did I that make that corner correctly to did I just tell my boss that stallion is a little schnitzel?

 You also ask the question why a lot. Why did I just leave my country to do this? Why did I leave steady income behind? Why do I have heartburn from that currywurst? The list goes on and on as you muddle through exhaustion and the other emotions du jour. 

You also romanticize your lifestyle at home (bed, TV, barn) and become somewhat jealous as friends, students, other pro's, even people you've barely met post photos and statuses belying their successes, their general satisfaction about their life or goings on or even the commiseration of just how utterly crappy the weather is. 

So while I can't commiserate on the weather (it's been seriously lovely), and I've become jealous at the early season successes of some while I'm here; I also find myself knowing a few things. 

First, that while ribbons and riding time is nice, I'm also here because for me. I have to be uncomfortable to progress. I have to make my mistakes and be put into situations where I know I'll make them. It's given me a sense of purpose to do more things and be a little hungry. 

And secondly, that Europe is the sport and standard of which we compete with within the discipline. Even though I'm not in Florida (the nearest moral equivalent) or at awards banquets collecting trophies, I know that what I'm doing here is having an impact on my career and business and I have to do it now. My mom always said, the circuit will be there when you return, and she's right. I'm putting together my schedule for teaching, showing and hosting and it seems like its going to be an active year. Coupled with a new venture starting in Europe, I'm starting to put the foot to the floor and go hard for the next six years. 

I genuinely love it here, I'm finding myself getting excited about going to the barn, but what I'm doing and seeing. I'm equally eager to put things in motion when I get back. So while I feel left behind, I know in the end I'm uncomfortably ahead. 

Into paradise without day and night

The last few weeks have been a large blur of activity. Between working six to ten horses per day at various stages of training and development, Monday through Saturday, and various other things (stallion show, verband inspection, sales calls) that have been happening it makes for long, uncomplicated days of working. 

My day isn't too much to write about, it's get up, drink coffee, walk to the barn, start work, lunch, more coffee, work some more and then go home around 5pm to catch up on the U.S. news, catch up with my owners, horses, clients and other people six hours behind me. Between four of us we work close to 30 horses. 

All the horses are progressing pleasantly. I still have my favorites and there are a few new ones added as well. For the most part I work with the kids, my youngest are rising three this year and my oldest is pushing five, but the hall has everything from weanlings to some older school horses. 

The job, in short has provided a great window of young horses and breeding that's not available stateside. After you see six or seven of a particular sire or dam, you begin to understand what they produce and how to channel that energy and talent. You see them go in different situations, under different riders and methods. You also develop tastes and preferences alongside an eye of what to look for in each growth stage and how it relates to the pedigree. 

The system here in Germany has a somewhat familiar feeling. The thoroughbred industry has a similar mentality and most of the dressage in the states is based of the German system. It's traditional. 

How young horses are reared is very traditional. They're brought in from the field when they're two to begin work. They, like the thoroughbred industry, are relatively unhandled until that time and have lived in groups sorted by age and sex. They start in the traditional snaffle and roller with side reins, but they go on a modern surface and are conditioned in the aquatred. They're also exposed to fun things like umbrellas, tarps, plastic and things that they'll encounter over their careers. Even sales runs more towards traditional. With very little advertising and mostly word of mouth. The quality is that good. 

At home, my horses are fairing well in the bad weather. Sinari is looking a tad less rotund and Flair and Haiku are on as much ride time as the weather allows. Flair, being from Alberta, is at home in the weather; Haiku not so much. In either way I miss them, and while I have many here to distract me and keep me busy there's nothing like having your own.